Small Glimpses. Photography and the Representation of Architectural Models

Authors

  • Nicolò Sardo Scuola di Ateneo Architettura e Design, Università degli Studi di Camerino

DOI:

https://doi.org/10.26375/disegno.14.2024.8

Keywords:

photography, architectural models, representation, art and architecture

Abstract

This contribution highlights how the photography of architectural models was an important tool for representing architecture, often leading to emblematic images of a project. This study also presents a revealing series of artistic experiences in which the architectural model becomes a primary subject of photography. While traditional photography of architectural models often looked for realism that could anticipate the constructed building, this task has, for years now, often been assigned to digital representation. The model is therefore represented photographically in a decidedly more abstract manner, allowing it to enunciate particular aspects of the project. It is interesting to note how still today, important architects are particularly interested in taking photographs of project models, developing important collaborations with photographers. In recent decades, photography and some of its trends have often caused problems for its relationship to reality: by manipulating images, some authors completely detach themselves from any material nature, even producing entirely synthetic images. Instead, through the use of models, one still operates on a material plane, but implements a true artificial reality, and what is real becomes rebuilt through scale models with different degrees of realism or abstraction, presenting a virtual reality expressly conceived by the authors.

References

Barthes, R. (2003). La camera chiara. Nota sulla fotografia, p. 78. Torino: Einaudi. [First ed. La chambre claire. Note sur la photographie. Seuil: Édition Gallimard, 1980].

Baudrillard, J. (1981). Simulacres et simulation. Paris: Galilée.

Beitin, A., Eiermann, W., Franzen, B. (2017). Mies van der Rohe Montage Collage. London: Koenig Books.

Berg, S., Engler, M. (Eds.) (2004). Oliver Boberg. Berlin: Hatje Cantz.

Bergera, I. (a cura di). (2016). Cámara y Modelo: Fotografía de maquetas de arquitectura en España 1925-1970. Madrid: La Fábrica.

Bonami, F., Durand, R. & Quintin, F. (2000). Thomas Demand. London: Thames & Hudson.

Campo Baeza, A. (2013). Un’idea nel palmo di una mano. In Domus, No. 972, p. 10.

Camporesi, S. (2018). Il mondo è tutto ciò che accade. Ravenna: Danilo Montanari.

Casebere, J. (2016). After Scale Model. Brussels: Bozar.

Çoker Bilici, B. (2020). Architectural model photography. A tool in architectural culture. Dissertazione Graduate School of Natural and Applied Sciences: Architecture. Ankara: Middle East Technical University.

Cornot, J. (2019). Martin Schulz van Treeck (1928-1999). Architecture espace ou objet? Paris: ENSAPB.

Cova Morillo Velarde, M.A. de la (2019). Photographie et maquette chez Le Corbusier. Dialogues entre la création et la diffusion. In Cahiers de la recherche architecturale, urbaine et paysagère, No. 5, pp. 1-26.

Demand, T. (2011). A Conversation with Anne Holtrop and Bas Princen. In Oase, No. 84, pp. 55-70.

Demand, T., Caruso St John (2023). The Triple Folly. London: MACK.

Deriu, D. (2012). Transforming Ideas into Pictures: Model Photography and Modern Architecture. In A. Higgott, T. Wray (Eds.). Camera construct. Photography, Architecture and Modern City, pp. 159-178. Farnham: Ashgate.

Deriu, D. (2021). Adventures in Scale. In Vesper, No. 5, pp. 92-107.

Engel, P. (2013). Envisioning architecture interiors through model photography: Caruso St John Architects. In E. Morello, B. Piga (2013). Envisioning Architecture: Design, Evaluation, Communication, pp. 193-200. Proceedings of the 11th conference of the European Architectural Envisioning Association. Roma: Nuova Cultura.

Enwezor, O. (a cura di) (2011). James Casebere. Works 1975-2010. Bologna: Damiani.

Esquinas Dessy, J., Zaragoza de Pedro, I. (2016). Enric Miralles y las maquetas: pensamientos ocultos entrecruzados y otras intuiciones. In Proyecto, Progreso, Arquitectura, No. 15, Maquetas, pp. 112-125. https://doi.org/10.12795/ppa.2016.i15.08.

Fabricius, D. (2017). Material models, photography, and the threshold of calculation. In Arq, No. 21.1, pp. 21-32.

Frampton, K., Kolbowski, S. (Eds.) (1981). Idea as Model. New York: Institute for Architecture and Urban Studies-Rizzoli International.

Frémy, A. (2002). Modell. Köln: Walter König.

Guadagnini, W. (a cura di). (2020). Paolo Ventura. Photographs and Drawings. Cinisello Balsamo: Silvana.

Healy, P. (2008). The Model and its Architecture. Rotterdam: 010 Publishers.

Higgott, A., Wrany, T. (Ed.) (2012). Camera construct. Photography, Architecture and Modern City. Farnham: Ashgate.

LaChapelle, D. (2013). Land scape. Bologna: Damiani. New York City: Paul Kasmin Gallery.

Michals, D. (2023). Things Are Queer: 50 Years of Sequences. Göttingen: Steidl.

Moholy-Nagy, L. (1929). Von Material zu Architektur. München: Albert Langen.

Moholy-Nagy, L. (1947). Vision in Motion. Chicago: Paul Theobald.

Moon, K. (2005). Modeling Messages. The Architect and the Model. New York: Monacelli.

Moretti, L. (1952-1953). Strutture e sequenze di spazi. In Spazio, No. 7, pp. 9-20 and pp. 107-108.

Nix, L. (2013). The City. Seattle: Decode.

Noë, A. (2022). Utilizzare modelli. In A. Noë. Strani strumenti: L’arte e la natura umana, pp. 176-187. Torino: Einaudi [First ed. Strange Tools: Art and Nature. New York: Hill and Wang, 2015].

Pacot, M. (2020). De l’autre côté du miroir: la photographie à l’épreuve de la maquette d’architecture. In Livraisons de l’histoire de l’architecture, No. 39, pp. 53-64.

Pemjean, E. (2014). Palimpsesto. In Domus, No. 986, pp. 34-37.

Pemjean E. (2016). De Vonk. In Engawa, No. 26, pp. 7-13.

Riley, T. (1991). Architectures of Herzog & de Meuron. Portraits by Thomas Ruff. New York: Peter Blum.

Sachsse, R. (2012). A Short History of Architectural Model Photography. In O. Elser, P.C. Schmal (Eds.). The Architectural Model: Tool, Fetish, Small Utopia, pp. 23-28. Zurich: Scheiddegger & Spiess.

Sardo, N. (2004). La figurazione plastica dell’architettura. Modelli e rappresentazione. Roma: Edizioni Kappa.

Sardo, N. (2021). Utopie solide. Visioni e modelli nelle sperimentazioni urbane degli anni Sessanta. In diségno, No. 9, pp. 59-70.

Sbriglio, J. (2011). Le Corbusier & Lucien Hervé. The Architect & the Photographer: a Dialogue. London: Thames & Hudson.

Shulman, J. (2000). Photographing Architecture and Interiors. Los Angeles: Balcony.

Stierli, M. (2018). Montage and the Metropolis. Architecture, Modernity, and the Representation of Space. New Haven-London: Yale University Press.

Tognon, P. (2001). Olivo Barbieri. Virtual Truths. Cinisello Balsamo: Silvana Editoriale.

von Fischer, S. (2017). A Visual Imprint of Moving Air: Methods, Models, and Media in Architectural Sound Photography, ca. 1930. In Journal of the Society of Architectural Historians, No. 76 (3), pp. 326-348.

Wagner, K., Kajewski, M.-C. (a cura di) (2020). Architekturen in Fotografie und Film: Modell, Montage, Interieur. Berlin: Reimer.

Wunenburger, J.-J. (1999). Filosofia delle immagini. Torino: Einaudi [First ed. Philosophie des images, Paris: Presses Universitaires de France, 1997].

Zwakman, E. (2008). Fake but Accurate. München: Schirmer/Mosel.

Published

2024-06-30

How to Cite

[1]
N. Sardo, “Small Glimpses. Photography and the Representation of Architectural Models”, diségno, no. 14, pp. 71–84, Jun. 2024.

Issue

Section

Micro Architectures and Mock-ups