The Double Allegory of the Bon Architecte and the Mauvais Architecte by Philibert De L’Orme

  • Francesca Fatta Università Mediterranea Reggio Calabria

Abstract

Philiber t De L’Orme was one of the leading exponents of the architectural culture of the Second Renaissance in France [Blunt 1958]. A double image has been chosen, one of the best-known of the sixteenth century, which takes up the idea of the good architect, as opposed to the bad one, in an allegorical key. In the representation of the double allegory, a current, since eternal, concept emerges, intended to involve the reader in reflections that directly invest the social and political context of the practice of architecture (read more).

References

Blunt, A. (1958). Philibert de l’Orme. London: Zwemmer. [It. ed.: M. Morresi (ed.). (1997). Milano: Electa].

De L’Orme, P. (1567). Le premier tome de l’Architecture de Philibert de L’Orme conseillier et aumosnier ordinaire du Roy. Paris: chez Federic Morel, r ue S. Iean de Beauuais: <http://architectura.cesr.univ-tours.fr/Traite/Images/Les1653Index.asp> (accessed 2018, July 22).

Published
2018-12-20
How to Cite
[1]
F. Fatta, “The Double Allegory of the Bon Architecte and the Mauvais Architecte by Philibert De L’Orme”, diségno, no. 3, pp. 23-24, Dec. 2018.