Drawing and the Invisible

Authors

  • Laura Marcolini Studio Azzurro

DOI:

https://doi.org/10.26375/disegno.4.2019.12

Abstract

In recent years, the Italian word disegno has expanded its range of meaning, embracing the influences of the English term design and thus involving the whole semantic field related to project conception and to the definition of spatial, sound and even behavioral configurations. This shift dialogues spontaneously with the attitude that has accompanied Studio Azzurro since its foundation, even though, precisely for this fact, it may prove potentially insidious. (read more)

References

Balzola, A., Rosa, P. (2011). L’arte fuori di sé, un manifesto per l’età post tecnologica. Milano: Feltrinelli.

Coleridge, S. (1817). Biographia literaria. London: Rest Fenner.

Gallese, V. (2017). Human Perception & the Built Environment. The Role that Mirror Mechanisms and Embodied Simulation Play in the Perception of the Built Environment. Vittorio Gallese interviewed by Sarah Robinson in occasion of Driehaus Foundation Built Environment Symposium, <https://youtu.be/us8mMKUi1cc>, (accessed 2019, May 10). The transcription in italian of the interview is at <https://www.academia.edu/37134702/Intervista_su_Architettura_e_Neuroscienze_con_Sarah_Robinson> (accessed 2019, May 10)

Published

2019-06-23

How to Cite

[1]
L. Marcolini, “Drawing and the Invisible”, diségno, vol. 1, no. 4, pp. 117–126, Jun. 2019.

Issue

Section

Means and Media of Representation and Visual Culture