Les mots et les images. Ambiguity and Disorientation in Language

Authors

  • Michele Valentino Dipartimento di Architettura, Design e Urbanistica, Università degli Studi di Sassari

DOI:

https://doi.org/10.26375/disegno.16.2025.4

Abstract

In 1929, René Magritte published Les mots et les images in the magazine La Révolution surréaliste, a series of eighteen illustrations that offered a conceptual experiment on the relationship between text and image. [read more]

References

Agamben, G. (1982). Il linguaggio e la morte. Torino: Einaudi.

Castelli, P. (2017). Le parole e le immagini/Le parole e le cose. Il triangolo parola-immagine-cosa in René Magritte e Michel Foucault. In La rivista di Engramma, n. 150. <https://www.engramma.it/eOS/index.php?id_articolo=3236> (accessed 7 June 2025).

de Saussure, F. (2020). Corso di linguistica generale. Bari-Roma: Editori Laterza (first ed. Cours de linguistique générale. Paris: Payot, 1916).

Foucault, M. (1988). Questo non è una pipa. Milano: SE. (Prima ed. Ceci n’est pas une pipe. Paris: Fata Morgana, 1973).

Kosuth, J. (1991). Art after Philosophy and After: Collected Writings, 1966-1990. Cambridge: MIT Press.

Magritte, R. (1929). Les mots et les images. In La Révolution surréaliste, n. 12, pp. 32, 33.

Massironi, M. (2001). The psychology of graphic images: Seeing, drawing, communicating. New York: Psychology Press.

Mitchell, W. J. T. (1994). Picture Theory: Essays on Verbal and Visual Representation. Chicago: University of Chicago Press.

Roque, G. (1989). Magritte’s Words and Images. In Visible Language, vol. 23, n. 2-3, pp. 220-237. <https://journals.uc.edu/index.php/vl/article/view/5501> (accessed 7 June 2025).

Published

2025-06-30

How to Cite

[1]
M. Valentino, “Les mots et les images. Ambiguity and Disorientation in Language”, diségno, no. 16, pp. 15–18, Jun. 2025.