On Architecture and Landscape. Some Fragmentary Representations

Authors

  • Alberto Grijalba Bengoetxea Department of Urban Planning and Representation of Architecture, University of Valladolid
  • Julio Grijalba Bengoetxea Department of Theory of Architecture and Architectural Projects, University of Valladolid

DOI:

https://doi.org/10.26375/disegno.15.2024.13

Abstract

Between 1928 and 1929, Sigurd Lewerentz designed and built Theodor Anton Bergen’s tomb on the islet Utterö, in an archipelago near Stockholm that can only be reached by boat. There are three known versions of the project [1].
The well-known sketches of the first two belong to the category of inquiries into architectural graphic representation. They are plans, elevations, sections and axonometries, typical of the architectural language with which the author is defining the program and the proposal of an implantation, at the same time as he is approaching the dimensioning of his intervention. [read more]

References

Alexander, C. (2012). Ensayo sobre la síntesis de la forma. Buenos Aires: Infinito (primera ed. Notes on the syntesis of Form. Harvard: Harvard University Press, 1966).

Allen, S. (1998). Diagrams matter. En ANY: Achitectures New York, no 23. New York: Anyone Corporation, pp. 16-19.

Aretino, P. (1916). Il secondo libro delle lettere. Bari: Nicoloni, 1916, II, 2.

Boym, S. 2015. El futuro de la nostalgia. Madrid: Antonio Machado.

Blomstedt, A. (Director). (1988). Vuodenajat - neljä matkaa Raili ja Reima Pietilän arkkitehtuuriin. Video- ja filmituotanto Filmikonttori.

Carpo, M. (2023). A short but believable history of the digital turn in architecture. (accessed 9 December 2024).

Cortés, J. A., Moneo, R. (1976). Comentarios sobre dibujos de 20 arquitectos actuales. Barcelona: Ediciones ETSAB.

Fernández Elorza, H. (2014). Asplund Versus Lewerentz. Tesis Doctoral. Director J.M. Aparicio Guisado. ETSAM, Departamento de Proyectos Arquitectónicos UPM.

Hardingham, S. (2016). Cedric Price Works 1952-2003: A Forward-Minded Retrospective. Luxemburgo: AA Publications & Canadian Centre for Architecture.

Herreros, J. (2001a). Potteries thinkbelt.1964-1966. Caducidad, educación y energía. Madrid: Ministerio de Fomento.

Herreros, J. (2001b). Cedric Price. Cuarenta años de heterodoxia propositiva. En Herreros 2001a, pp. 6-17.

Linazasoro, J.I. (2024) Las paradojas de lewerentz. Madrid: Ediciones asimétricas.

Martínez Santamaría, L. (2002) Un punto. El lugar de la memoria en algunos trabajos de Sigurd Lewerentz. En DPA, n. 18. Barcelona: Ediciones UPC.

Mathews, S. (2001). Potteries thinkbelt: una arquitectura de incertidumbre calculada. En Herreros 2001, pp. 18-31.

Montes, C., Jiménez, I. (2001). El espejo y el mapa. Algunas ideas del profesor E.H. Gombrich sobre la representación urbana. En P. Davico, C.M. Giorgetti, A. Opalio. Contributi al Convegno Rilievo e forma urbana. Torino: Celid.

Müller-Wulckow, W. (1919). Aufbau - Architektur!. Dritte Auflage. Berlin: Reiß.

Pallasmaa, J. (2012). La mano que piensa. Sabiduría existencial y corporal en la arquitectura. Barcelona: Gustavo Gili.

Price, C (1979). Technology Is The Answer But What Was The Question? Pidgeon Digital www. Pidgeon Digital.com

Royo Márquez M. (2014). Pietilä. El Proyecto de Dípoli. Tesis Doctoral Directores J. M. López-Peláez & A. Niskanen. ETSAM Departamento de Proyectos Arquitectónicos UPM.

Published

2024-12-30

How to Cite

[1]
A. Grijalba Bengoetxea and J. Grijalba Bengoetxea, “On Architecture and Landscape. Some Fragmentary Representations”, diségno, no. 15, pp. 123–134, Dec. 2024.

Issue

Section

Landscape Drawing between Tools and Methodologies